Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Geeraert, Laura |
Les fans de musique metal en Belgique francophone. Des pratiquessociales, de l'initiation à l'intégration au sein d'une scène interactionnelle |
2017 |
|
|
|
| Goldhammer, Rio |
After the apocalypse: Identity and legitimacy in the postdigital heavy metal subculture |
2017 |
Metal Music Studies |
3 |
135-144 |
| Grant, Sam |
Resistants, stimulants and weaponization: Extreme metal music and empowerment in the Iraqi and Syrian civil conflicts |
2017 |
Metal Music Studies |
3 |
175-200 |
| Hainaut, Bérenger |
Le style Black Metal |
2017 |
|
|
|
| Harris, James |
Pleromaticatalyst. Ritual intoxication toward the universal field |
2017 |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
|
106-121 |
| Haukkala, Hiski |
Ripe for revolution? The role of loud popular music in revolutionary social and political processes |
2017 |
Metal Music Studies |
3 |
387-403 |
| Heinen, Serina |
”Odin rules”: Religion, Medien und Musik im Pagan Metal |
2017 |
|
|
|
| Helden, Imke von |
Norwegian native art: cultural identity in Norwegian metal music |
2017 |
|
|
|
| Heley, Jesse; Welsh, Marc |
Regions rock : heavy metal and the role of music in the construction of regional identity for the British Midlands |
2017 |
Reanimating regions: culture, politics and performance |
|
26-45 |
| Hendricks, C.C. |
Bang your head to the ‘beat’ of non-conformity |
2017 |
Connecting metal to culture: unity in disparity |
|
|
