| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Pichler, Peter |
The power of the imagination of historical distance: Melechesh’ ‘Mesopotamian Metal’ as a musical attempt of solving cultural conflicts in the twenty-first century |
2017 |
Metal Music Studies |
3 |
97-112 |
|
|
|
Pierpont, Jacques De; Bourhis, Hervé |
Little book of knowledge heavy metal |
2017 |
|
|
|
|
|
|
Polzer, Evan |
Mosh Pits and Mental Health: Metal Communities and Emerging Adults' Well-Being |
2017 |
|
|
122 |
|
|
|
Popoff, Martin |
Beer drinkers and hell raisers: the rise of Motörhead |
2017 |
|
|
|
|
|
|
Popoff, Martin; Dome, Malcolm |
Tout l’art du metal |
2017 |
|
|
|
|
|
|
Porrovecchio, Mark J. |
Female rhetoric: Identity, persona and the academic and popular divide in the (cultural and critical) study of metal |
2017 |
Metal Music Studies |
3 |
329-334 |
|
|
|
Rapčanová, Slavomíra |
Kontroverzia a verejná diskusia okolo slovenského metalového festivalu Gothoom [Controversies and public discussions around the Slovak metal festival Gothoom] |
2017 |
Sacra |
15 |
33-49 |
|
|
|
Rinaldi, Azzurra |
Sabaton: una lezione di Storia svedese a suon di metal |
2017 |
Roda da Fortuna |
6 |
275-295 |
|
|
|
Roberts, Justin J. |
Rime of a metal mariner |
2017 |
Metal Music Studies |
3 |
63-79 |
|
|
|
Rowe, Paula |
Global metal in local contexts: Questions of class among heavy metal youth and the structuring of early metal identity formations |
2017 |
Metal Music Studies |
3 |
113-133 |
|
