| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Welch, Chris |
Iron Maiden: l’antre de la bête |
2017 |
|
|
|
|
|
|
Welch, Chris |
Iron Maiden |
2017 |
|
|
|
|
|
|
Williams, Duncan; Da Rocha, Marcio Alves |
Decoding cultural signifiers of Brazilian identity and the African diaspora from the music of Sepultura |
2017 |
Metal Music Studies |
3 |
145-152 |
|
|
|
Wolfe, Kristina |
Insoluminance |
2017 |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
|
70-85 |
|
|
|
Wuerz, Timo |
The art of metal |
2017 |
|
|
|
|
|
|
X⁂Ø⁂ |
Sustain/Decay |
2017 |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
|
60-69 |
|
|
|
Yavuz, M.Selim |
‘Delightfully depressing’: Death/doom metal music world and the emotional responses of the fan |
2017 |
Metal Music Studies |
3 |
201-218 |
|
|
|
Yépez Aguirre, Jimmy Renzo |
Campo y habitus de la metaldad limeña 1994-2014: Field and habitus of metaldad limeña 1994 – 2014 |
2017 |
Anales Científicos |
78 |
80-91 |
|
|
|
Yfantis, Vasileios |
Metal Goes Science: The Academic Metal Bibliography |
2017 |
|
|
|
|
|
|
Zanen, J.L. van |
Noisy Neomedievalists: Neomedievalism in Viking Metal, Anglo-Saxon Metal and Neofolk |
2017 |
|
|
|
|
