| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Herbst, Jan-Peter |
Historical development, sound aesthetics and production techniques of the distorted electric guitar in metal music |
2017 |
Metal Music Studies |
3 |
23-46 |
|
|
|
Herbst, Jan-Peter |
Shredding, tapping and sweeping: Effects of guitar distortion on playability and expressiveness in rock and metal solos |
2017 |
Metal Music Studies |
3 |
231-250 |
|
|
|
Herrera Díaz, Francisco Augusto |
Metal colombiano: los sonidos de un país en guerra |
2017 |
|
|
|
|
|
|
Hissen |
Score for a spatial composition |
2017 |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
|
86-104 |
|
|
|
Hoad, Catherine |
Slashing through the boundaries: Heavy metal fandom, fan fiction and girl cultures |
2017 |
Metal Music Studies |
3 |
5-22 |
|
|
|
Hoad, Catherine; Whiting, Samuel |
True Kvlt? The Cultural Capital of “Nordicness” in Extreme Metal |
2017 |
M/C Journal |
20 |
n..p. |
|
|
|
Hughes, Mairead |
Is affiliation with alternative subcultures associated with self-harm? |
2017 |
|
|
145 |
|
|
|
Iwanitzky, Nikolaus |
The reception of J.R.R. Tolkien’s works in song lyrics |
2017 |
|
|
|
|
|
|
Iwanitzky, Nikolaus |
The reception of J.R.R. Tolkien’s works in song lyrics |
2017 |
|
|
|
|
|
|
James, Kieran; Tolliday, Christopher |
Metallica: Structural Change in the Music Industry: A Marxist Critique of Public Statements made by Members of Metallica during the Lawsuit against Napster |
2017 |
International Journal of Critical Accounting |
1 |
144-176 |
|
