|
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
Jameson, Benjamin Thomas |
Negotiating the cross-cultural implications of the electric guitar in contemporary concert music |
2017 |
|
|
|
|
|
Kang, Eyvind |
Sonic Gnostic: A pun in two parts |
2017 |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
|
105 |
|
|
Kazdan, Alanna |
Textural applications of power chords in Scandinavian death metal |
2017 |
Metal Music Studies |
3 |
269-321 |
|
|
Kennedy, Lewis F. |
Functions of genre in metal and hardcore music |
2017 |
|
|
|
|
|
Khalil, Lucas Martins Gama (UNIR) |
A QUALIDADE DE VOZ GUTURAL: APONTAMENTOS PARA UMA CARACTERIZAÇÃO ACÚSTICA E ARTICULATÓRIA. |
2017 |
Miguilim: Revista Eletrônica do Netlli. |
6 |
198-218 |
|
|
Klypchak, Brad |
Another thing coming: nostalgia and kitsch in mass cultural manifestations of ”metal” |
2017 |
Connecting metal to culture: unity in disparity |
|
|
|
|
Krumm, Christian |
”... But the Bard’s songs will remain”. Blind Guardian (Krefeld) als Wegbereiter des ”literarischen” Heavy Metal ; ein Überblick |
2017 |
Vom Minnesang zur Popkultur |
|
|
|
|
Kummer, Jenna |
‘I Remember You’: Exploring glam metal’s re-emergence in contemporary metal music markets |
2017 |
Metal Music Studies |
3 |
421-436 |
|
|
La Rocca, Francesco |
The Viking raids of England in metal music: From ideology to parody |
2017 |
Metal Music Studies |
3 |
219-229 |
|
|
Lantorová, Petra |
Raný norský black metal a jeho ideologie : satanismus z perspektivy účastníků druhé vlny black metalu [Early Norwegian black metal and its ideology: Satanism from the view of the participants of the second wave of black metal] |
2017 |
Sacra |
15 |
50-61 |
|