| Author |
Title  |
Year |
Publication |
Volume |
Pages |
| O’Neill, Andrew |
A History of Heavy Metal |
2017 |
|
|
|
| Khalil, Lucas Martins Gama (UNIR) |
A QUALIDADE DE VOZ GUTURAL: APONTAMENTOS PARA UMA CARACTERIZAÇÃO ACÚSTICA E ARTICULATÓRIA. |
2017 |
Miguilim: Revista Eletrônica do Netlli. |
6 |
198-218 |
| Coggins, Owen |
A Spectre So Violent: Monstrous Logic and the Malevolent City in the Music of Skinny Puppy |
2017 |
Urban Monstrosities: Perversity and Upheaval in the Unreal City |
|
108-127 |
| Botero Camacho, Manuel; Picón del Campo, Nuria |
A Twist in the Song: Retracing Myth and Dante´s Poem in Heavy Metal Music |
2017 |
Revista ICONO14 |
15 |
166-185 |
| Goldhammer, Rio |
After the apocalypse: Identity and legitimacy in the postdigital heavy metal subculture |
2017 |
Metal Music Studies |
3 |
135-144 |
| Klypchak, Brad |
Another thing coming: nostalgia and kitsch in mass cultural manifestations of ”metal” |
2017 |
Connecting metal to culture: unity in disparity |
|
|
| Hendricks, C.C. |
Bang your head to the ‘beat’ of non-conformity |
2017 |
Connecting metal to culture: unity in disparity |
|
|
| Cardwell, Tom |
Battle jackets, authenticity and ‘material individuality’ |
2017 |
Metal Music Studies |
3 |
437-458 |
| Popoff, Martin |
Beer drinkers and hell raisers: the rise of Motörhead |
2017 |
|
|
|
| Petrovic, Paul |
Beyond ‘forms of aggression’: teaching extreme metal in the composition classroom |
2017 |
Connecting metal to culture: unity in disparity |
|
|
