|
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
Shakespeare, Steven |
Drone construction. Philosophy of identity in Conan's “Horseback Battle Hammer” |
2017 |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
|
202-213 |
|
|
Newstead, Marcus |
Drone headstone: tone exhumation |
2017 |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
|
139 |
|
|
Blake, Charlie |
Dronoclasm or the swarming of angels in endless night |
2017 |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
|
10-14 |
|
|
Zárate, Amalia Ortiz de; Guarda, María Nicol |
Enseñanza contextualizada para miembros de la subcultura del heavy metal a través de técnicas teatrales |
2017 |
Revista Latinoamericana en Ciencias Sociales, Niñez y Juventud |
15 |
1035-1050 |
|
|
de Souza Medeiros, Abda |
ENTRE “A TERRA DO SOL” E A “CIDADE MARAVILHOSA”: rotas, desvios e torneios de valor nos circuitos do rock metal |
2017 |
|
|
|
|
|
Porrovecchio, Mark J. |
Female rhetoric: Identity, persona and the academic and popular divide in the (cultural and critical) study of metal |
2017 |
Metal Music Studies |
3 |
329-334 |
|
|
Scheiner, Christian W.; Hüper, Nick |
For Those About to Rock – Social Media Best Practices from Wacken Open Air |
2017 |
Social Computing and Social Media. Human Behavior |
|
362-378 |
|
|
Marrington, Mark |
From DJ to djent-step: Technology and the re-coding of metal music since the 1980s |
2017 |
Metal Music Studies |
3 |
251-268 |
|
|
Bardine, Bryan A. |
From Sabbath to Slayer: using metal in the writing classroom |
2017 |
Connecting metal to culture: unity in disparity |
|
|
|
|
Kennedy, Lewis F. |
Functions of genre in metal and hardcore music |
2017 |
|
|
|
|