|
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
Clifford-Napoleone, Amber R. |
Queerness in heavy metal music: metal bent |
2017 |
|
|
|
|
|
Lantorová, Petra |
Raný norský black metal a jeho ideologie : satanismus z perspektivy účastníků druhé vlny black metalu [Early Norwegian black metal and its ideology: Satanism from the view of the participants of the second wave of black metal] |
2017 |
Sacra |
15 |
50-61 |
|
|
Heley, Jesse; Welsh, Marc |
Regions rock : heavy metal and the role of music in the construction of regional identity for the British Midlands |
2017 |
Reanimating regions: culture, politics and performance |
|
26-45 |
|
|
Grant, Sam |
Resistants, stimulants and weaponization: Extreme metal music and empowerment in the Iraqi and Syrian civil conflicts |
2017 |
Metal Music Studies |
3 |
175-200 |
|
|
Roberts, Justin J. |
Rime of a metal mariner |
2017 |
Metal Music Studies |
3 |
63-79 |
|
|
Haukkala, Hiski |
Ripe for revolution? The role of loud popular music in revolutionary social and political processes |
2017 |
Metal Music Studies |
3 |
387-403 |
|
|
Crowcroft, Orlando |
Rock in a Hard Place: Music and Mayhem in the Middle East |
2017 |
|
|
|
|
|
Rinaldi, Azzurra |
Sabaton: una lezione di Storia svedese a suon di metal |
2017 |
Roda da Fortuna |
6 |
275-295 |
|
|
Vašková, Daniela |
Satanistické prvky u metalové skupiny Ghost [Satanic aspects of the metal band Ghost] |
2017 |
Sacra |
15 |
89-101 |
|
|
Hissen |
Score for a spatial composition |
2017 |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
|
86-104 |
|