| |
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links  |
|
|
Rinaldi, Azzurra |
Sabaton: una lezione di Storia svedese a suon di metal |
2017 |
Roda da Fortuna |
6 |
275-295 |
|
|
|
Coggins, Owen |
Unstable Metaphors for the Inaccessible: Mysticism, Blackletter, Drone Metal |
2017 |
Sustain//Decay: A Philosophical Exploration of Drone Music and Mysticism |
|
15-27 |
|
|
|
Yépez Aguirre, Jimmy Renzo |
Campo y habitus de la metaldad limeña 1994-2014: Field and habitus of metaldad limeña 1994 – 2014 |
2017 |
Anales Científicos |
78 |
80-91 |
|
|
|
Edlinger, Christoph |
Louder than Hell: über die Rezeption von Heavy Metal Musik im Kontext biografischer Lebensbewältigung im Jugend- und jungen Erwachsenenalter |
2017 |
|
|
|
|
|
|
Botero Camacho, Manuel; Picón del Campo, Nuria |
A Twist in the Song: Retracing Myth and Dante´s Poem in Heavy Metal Music |
2017 |
Revista ICONO14 |
15 |
166-185 |
|
|
|
Kennedy, Lewis F. |
Functions of genre in metal and hardcore music |
2017 |
|
|
|
|
|
|
d’Hont, Coco |
“I Am Your Faggot Anti-Pope”: An Exploration of Marilyn Manson as a Transgressive Artist |
2017 |
European Journal of American Studies; London |
12 |
|
|
|
|
Mendelyte, Atene |
The Still, Sad Music of Humanity in Doom Metals Romanticizing Machine |
2017 |
Criticism |
59 |
469-489 |
|
|
|
Wallin, Jason; Podoshen, Jeffrey; Venkatesh, Vivek |
Second wave true Norwegian black metal: an ideologically evil music scene? |
2017 |
Arts Marketing; Bingley |
7 |
159-173 |
|
|
|
Scheiner, Christian W.; Hüper, Nick |
For Those About to Rock – Social Media Best Practices from Wacken Open Air |
2017 |
Social Computing and Social Media. Human Behavior |
|
362-378 |
|
