| |
Author |
Title |
Year  |
Publication |
Volume |
Pages |
Links |
|
|
Peters, Christian |
Vom Blutgericht an der Aller zur Einhorninvasion von Dundee. ”Dark Medieval Times” im Heavy Metal |
2017 |
Bilder vom Mittelalter: Vorstellungen von einer vergangenen Epoche und ihre Inszenierung in modernen Medien |
|
171-227 |
|
|
|
Wallin, Jason; Podoshen, Jeffrey; Venkatesh, Vivek |
Second wave true Norwegian black metal: an ideologically evil music scene? |
2017 |
Arts Marketing; Bingley |
7 |
159-173 |
|
|
|
Mendelyte, Atene |
The Still, Sad Music of Humanity in Doom Metals Romanticizing Machine |
2017 |
Criticism |
59 |
469-489 |
|
|
|
d’Hont, Coco |
“I Am Your Faggot Anti-Pope”: An Exploration of Marilyn Manson as a Transgressive Artist |
2017 |
European Journal of American Studies; London |
12 |
|
|
|
|
de Souza Medeiros, Abda |
ENTRE “A TERRA DO SOL” E A “CIDADE MARAVILHOSA”: rotas, desvios e torneios de valor nos circuitos do rock metal |
2017 |
|
|
|
|
|
|
Scheiner, Christian W.; Hüper, Nick |
For Those About to Rock – Social Media Best Practices from Wacken Open Air |
2017 |
Social Computing and Social Media. Human Behavior |
|
362-378 |
|
|
|
James, Kieran; Tolliday, Christopher |
Metallica: Structural Change in the Music Industry: A Marxist Critique of Public Statements made by Members of Metallica during the Lawsuit against Napster |
2017 |
International Journal of Critical Accounting |
1 |
144-176 |
|
|
|
Popoff, Martin |
Beer drinkers and hell raisers: the rise of Motörhead |
2017 |
|
|
|
|
|
|
Osbourne, Ozzy; Ayres, Chris |
I am Ozzy |
2017 |
|
|
|
|
|
|
O’Neill, Andrew |
A History of Heavy Metal |
2017 |
|
|
|
|
