| Author |
Title |
Year |
Publication |
Volume |
Pages  |
| Calaça, Gleyber Eustáquio; Nascimento, Leonardo Alves; Diniz, Alexandre Magno |
Na trilha do metal: a construção de terriotorialidades das bandas de heavy metal em Belo Horizonte nos anos 1980 / On metal tracts: the construction of terriotorialities of heavy metal bands in Belo Horizonte during the 1980s |
2018 |
Caderno de Geografia |
28 |
650-673 |
| Vanek, Gabrielle |
Classical idiom and compositional structure in Gorguts’s Pleiades’ Dust |
2018 |
Metal Music Studies |
4 |
573-583 |
| DeHart, Cameron |
Metal by numbers: Revisiting the uneven distribution of heavy metal music |
2018 |
Metal Music Studies |
4 |
559-571 |
| Savigny, Heather; Schaap, Julian |
Putting the ‘studies’ back into metal music studies |
2018 |
Metal Music Studies |
4 |
549-557 |
| Lee, Dennis William |
‘Negeri Seribu Bangsa’: Musical hybridization in contemporary Indonesian death metal |
2018 |
Metal Music Studies |
4 |
531-548 |
| Nagy, Tamás |
Terms and identities: Forms of music related to national identity practices in blog posts of the Hungarian rock/metal discourse community |
2018 |
Metal Music Studies |
4 |
507-530 |
| Herbst, Jan-Peter; Reuter, Christoph; Czedik-Eysenberg, Isabella |
Guitar profiling technology in metal music production: Public reception, capability, consequences and perspectives |
2018 |
Metal Music Studies |
4 |
481-506 |
| Jones, Simon |
Kerrang! magazine and the representation of heavy metal masculinities (1981–95) |
2018 |
Metal Music Studies |
4 |
459-480 |
| Hannan, Calder |
Difficulty as heaviness: Links between rhythmic difficulty and perceived heaviness in the music of Meshuggah and The Dillinger Escape Plan |
2018 |
Metal Music Studies |
4 |
433-458 |
| Kirner-Ludwig, Monika; Wohlfarth, Florian |
METALinguistics: Face-threatening taboos, conceptual offensiveness and discursive transgression in extreme metal |
2018 |
Metal Music Studies |
4 |
403-432 |
