| Author |
Title |
Year |
Publication |
Volume |
Pages  |
| Mendoza, Sigrid; Varas-Díaz, Nelson; Rivera-Segarra, Eliut; Vélez, Carlos |
Media representations of metal music in the Dominican Republic: Between oppression and social resistance |
2018 |
Metal Music Studies |
4 |
197-208 |
| Pack, Christian |
‘Severed Reality’: Representations of reality in Salvadoran tribal metal |
2018 |
Metal Music Studies |
4 |
187-196 |
| Carew, Francis |
The Guitar Voice of Randy Rhoads |
2018 |
|
|
186 |
| Pailahual, Stefanie Pacheco; Hernández, Katherin Pailahual |
Identidad autorepresentación y discurso decolonial en las letras del album debut del grupo Mapuche Peumayen |
2018 |
Arte y Políticas de Identidad; Murcia |
19 |
183-200 |
| Guberman, Daniel |
Massive Scar Era, Heavy Metal, and Two Tyrannies |
2018 |
Tyrannny and Music |
|
183-198 |
| Rivera-Segarra, Eliut; Varas-Díaz, Nelson; Mendoza, Sigrid; Díaz, Xaymara |
Ancestral morbid fascinations: Reformulating local culture through metal music in Puerto Rico |
2018 |
Metal Music Studies |
4 |
175-186 |
| Hoad, Catherine |
’He can be whatever you want him to be’: Identity and intimacy in the masked performance of Ghost |
2018 |
Popular Music; Cambridge |
37 |
175-192 |
| DiGioia, Amanda |
Love Breed or Hate Haven? Localized Narratives of Identity in Heavy Metal Scene of New Haven, Connecticut |
2018 |
Sounds of origin in heavy metal music |
|
169-190 |
| Rivera-Segarra, Eliut; Varas-Díaz, Nelson; Mendoza, Sigrid; Díaz, Xaymara |
Morbo ancestral: Reformulando la cultural local a través de la música metal en Puerto Rico |
2018 |
Metal Music Studies |
4 |
165-174 |
| Belén Calvo, Manuela |
Indigenista perspectives in Argentine metal music |
2018 |
Metal Music Studies |
4 |
155-163 |
