| Author |
Title |
Year |
Publication |
Volume |
Pages  |
| Chelini, Gianluca |
Javanese Black Metal: Towards a Definition of Post-Heritage Music |
2018 |
Sounds of origin in heavy metal music |
|
95-116 |
| Herbst, Jan-Peter |
Heaviness and the electric guitar: Considering the interaction between distortion and harmonic structures |
2018 |
Metal Music Studies |
4 |
95-113 |
|
”Marche ou Crève”: The Band Trust and the Singular Case of the Birth of French Heavy Metal |
2018 |
Made in France: studies in popular music |
|
89-104 |
| Hoffin, Kevin |
Decay as a black metal symbol |
2018 |
Metal Music Studies |
4 |
81-94 |
| Yavuz, M.Selim |
Reight Mardy Tykes: Northernness, Peaceville Three and Death/Doom Music World |
2018 |
Subcultures, Bodies and Spaces: Essays on Alternativity and Marginalization |
|
81-99 |
| Frangioni, Tommaso; Masina, Filippo; Pieroni, Giulio; Venturella, Mario |
Son(g)s of Darkness: Identities in Italian Black Metal |
2018 |
Sounds of origin in heavy metal music |
|
71-94 |
| Busey, Sean D. |
Parental Advisory-Explicit Content: The Parents Music Resource Center, Conservative Music Censorship, and the Protection of Children |
2018 |
|
|
67 |
| Spracklen, Karl |
Throat singing as extreme Other: An exploration of Mongolian and Central Asian style in extreme metal |
2018 |
Metal Music Studies |
4 |
61-80 |
| Heritage, Gareth |
Torment[Her] (Misogyny as an Artistic Device): Alternative Perspectives on the Misogynist Aesthetic of W.A.S.P.’s ‘The Rack’ |
2018 |
Subcultures, Bodies and Spaces: Essays on Alternativity and Marginalization |
|
61-80 |
| Pilo, Baptiste |
True Norwegian Black Metal: Nationalism and Authenticity in the Norwegian Black Metal of the ‘90s |
2018 |
Sounds of origin in heavy metal music |
|
41-70 |
