| Author |
Title |
Year |
Publication |
Volume |
Pages  |
| Fejes, János |
The Reception of Biblical and Mythological Patterns in the Lyrics of Extreme Metal Music |
2018 |
|
|
|
| Shafron, Gavin Ryan |
The Relationship of Intensity of Preference for Heavy Metal Music to Emotional Dysphoria |
2018 |
|
|
|
| Trott, Brian |
Faouda Wa Ruina: A History of Moroccan Punk Rock and Heavy Metal |
2018 |
|
|
|
| Olsen, Kirk N.; Thompson, William Forde; Giblin, Iain |
Listener Expertise Enhances Intelligibility of Vocalizations in Death Metal Music |
2018 |
Music Perception; Berkeley |
35 |
|
| Ritts, Max Jacob; Greening, Spencer |
Gyitwaalkt: A Dialogue on Tsimshian War and Metal |
2018 |
BC Studies; Vancouver |
|
|
| Lucas, Olivia R. |
“So Complete in Beautiful Deformity”: Unexpected Beginnings and Rotated Riffs in Meshuggah’s obZen |
2018 |
Music Theory Online |
24 |
|
| Seixas, Luana Cristina |
Metal Extremo: Est??Tica pesada” No Black Metal |
2018 |
|
|
|
| Meller, Lauro |
Iron Maiden. A Journey Through History |
2018 |
|
|
|
| Brannigan, Paul; Winwood, Ian |
Nacer, crecer, Metallica, morir |
2018 |
|
|
|
| Wall, Mick |
Metallica |
2018 |
|
|
|
