| Author |
Title  |
Year |
Publication |
Volume |
Pages |
| O’Neill, Andrew |
La historia del heavy metal |
2018 |
|
|
|
| Rosenberg, Axl; Krovatin, Christopher |
La historia del heavy metal: una retrospectiva ilustrada |
2018 |
|
|
|
| Calvo, Manuela Belén |
Las escenas de la música metal: discusión teórica a partir del caso de la provincia de Buenos Aires |
2018 |
Question |
1 |
22 |
| Rolland, Gilles |
Le heavy metal au cinéma : de Spinal tap ? Rob Zombie |
2018 |
|
|
|
| dos Santos Silva, Melina Aparecida |
Letters, cassette tapes and zines: The circulation of Brazilian heavy metal as a gift system |
2018 |
Metal Music Studies |
4 |
241-249 |
| Olsen, Kirk N.; Thompson, William Forde; Giblin, Iain |
Listener Expertise Enhances Intelligibility of Vocalizations in Death Metal Music |
2018 |
Music Perception; Berkeley |
35 |
|
| DiGioia, Amanda |
Love Breed or Hate Haven? Localized Narratives of Identity in Heavy Metal Scene of New Haven, Connecticut |
2018 |
Sounds of origin in heavy metal music |
|
169-190 |
| Piszczorowicz, Bruno |
L’ère metal (1954-1988) |
2018 |
|
|
|
| Sage, Matt; Brooker, Caelli Jo |
Manifold Intensities: Musical Identities in Contemporary Antipodean Metalcore and Post-Hardcore |
2018 |
Sounds of origin in heavy metal music |
|
141-168 |
| Guibert, Gérôme |
Marche ou crève: The band Trust and the singular case of the birth of French heavy metal |
2018 |
Made in France: Studies in Popular Music |
|
296 |
