| Author |
Title |
Year |
Publication |
Volume  |
Pages |
| Abbott, Helen; Ardrey, Caroline |
”Mon gosier de métal parle toutes les langues”: Translations and Transformations of Baudelaire in Black Metal Music |
2018 |
Esprit Créateur; Baltimore |
58 |
130-143 |
| Emms, Rachel; Crossley, Nick |
Translocality, Network Structure, and Music Worlds: Underground Metal in the United Kingdom |
2018 |
The Canadian Review of Sociology; Montreal |
55 |
111-135 |
| Sellheim, Nikolas P.; nueva, Enlace a. sitio externo Este enlace se abrirá en una ventana |
‘The rage of the Northmen’: Extreme metal and North-motivated violence |
2018 |
The Polar Record |
54 |
339-348 |
| Hoad, Catherine |
’He can be whatever you want him to be’: Identity and intimacy in the masked performance of Ghost |
2018 |
Popular Music; Cambridge |
37 |
175-192 |
| Olsen, Kirk N.; Thompson, William Forde; Giblin, Iain |
Listener Expertise Enhances Intelligibility of Vocalizations in Death Metal Music |
2018 |
Music Perception; Berkeley |
35 |
|
| Calaça, Gleyber Eustáquio; Nascimento, Leonardo Alves; Diniz, Alexandre Magno |
Na trilha do metal: a construção de terriotorialidades das bandas de heavy metal em Belo Horizonte nos anos 1980 / On metal tracts: the construction of terriotorialities of heavy metal bands in Belo Horizonte during the 1980s |
2018 |
Caderno de Geografia |
28 |
650-673 |
| Lucas, Olivia R. |
“So Complete in Beautiful Deformity”: Unexpected Beginnings and Rotated Riffs in Meshuggah’s obZen |
2018 |
Music Theory Online |
24 |
|
| Pailahual, Stefanie Pacheco; Hernández, Katherin Pailahual |
Identidad autorepresentación y discurso decolonial en las letras del album debut del grupo Mapuche Peumayen |
2018 |
Arte y Políticas de Identidad; Murcia |
19 |
183-200 |
| Otterbeck, Jonas; nueva, Enlace a. sitio externo Este enlace se abrirá en una ventana; Mattsson, Douglas; Pastene, Orlando |
“I am Satan!” black metal, Islam and blasphemy in Turkey and Saudi Arabia |
2018 |
Contemporary Islam; Dordrecht |
12 |
267-286 |
| Heesch, Florian |
Voice of anarchy: Gender aspects of aggressive metal vocals. The examples of Angela Gossow (Arch Enemy) |
2018 |
Criminocorpus: Revue hypermedian d'Histoire de la justice, des crimes et des peines |
11 |
1-18 |
