| Author |
Title |
Year  |
Publication |
Volume |
Pages |
| DiGioia, Amanda; Naylor Davis, Charlotte |
Cursed is the Fruit of thy Womb: Inversion/Subversion and the Inscribing of Morality on Women’s Bodies in Heavy Metal |
2018 |
Subcultures, Bodies and Spaces: Essays on Alternativity and Marginalization |
|
27-42 |
| Hazle, Dawn |
Delusions of grandeur? Aria and the development of Soviet metal music |
2018 |
|
|
|
| McParland, Robert |
Myth and Magic in Heavy Metal Music |
2018 |
|
|
|
| Thompson, Christopher |
Norges Våpen Cultural Memory and Uses of History in Norwegian Black Metal |
2018 |
|
|
|
| Karjalainen, Toni-Matti (ed) |
Sounds of origin in heavy metal music |
2018 |
|
|
|
| López Ramírez, José Ignacio; Risica Carella, Giuseppe |
Espíritu del Metal: La Conformación de la Escena Metalera Peruana (1981-1992) |
2018 |
|
|
|
| Soria, Fernando |
Fuerte y claro: historia del metal en Uruguay |
2018 |
|
|
|
| Coggins, Owen |
Mysticism, ritual, and religion in drone metal |
2018 |
|
|
|
| Zaddach, Wolf-Georg |
Heavy Metal in der DDR: Szene, Akteure, Praktiken |
2018 |
|
|
|
| Annegg, Florian |
You can’t say it’s a style. It’s who you are.“ The Significance of Merchandise in the Metal Music Scene |
2018 |
|
|
|
