| Author |
Title |
Year  |
Publication |
Volume |
Pages |
| Herbst, Jan-Peter; Reuter, Christoph; Czedik-Eysenberg, Isabella |
Guitar profiling technology in metal music production: Public reception, capability, consequences and perspectives |
2018 |
Metal Music Studies |
4 |
481-506 |
| Nagy, Tamás |
Terms and identities: Forms of music related to national identity practices in blog posts of the Hungarian rock/metal discourse community |
2018 |
Metal Music Studies |
4 |
507-530 |
| Lee, Dennis William |
‘Negeri Seribu Bangsa’: Musical hybridization in contemporary Indonesian death metal |
2018 |
Metal Music Studies |
4 |
531-548 |
| Savigny, Heather; Schaap, Julian |
Putting the ‘studies’ back into metal music studies |
2018 |
Metal Music Studies |
4 |
549-557 |
| DeHart, Cameron |
Metal by numbers: Revisiting the uneven distribution of heavy metal music |
2018 |
Metal Music Studies |
4 |
559-571 |
| Vanek, Gabrielle |
Classical idiom and compositional structure in Gorguts’s Pleiades’ Dust |
2018 |
Metal Music Studies |
4 |
573-583 |
| Pelletier, Samaël |
Extreme metal : subculture, genre, and structure |
2018 |
|
|
|
|
”Marche ou Crève”: The Band Trust and the Singular Case of the Birth of French Heavy Metal |
2018 |
Made in France: studies in popular music |
|
89-104 |
| Heritage, Gareth |
Torment[Her] (Misogyny as an Artistic Device): Alternative Perspectives on the Misogynist Aesthetic of W.A.S.P.’s ‘The Rack’ |
2018 |
Subcultures, Bodies and Spaces: Essays on Alternativity and Marginalization |
|
61-80 |
| Yavuz, M.Selim |
Reight Mardy Tykes: Northernness, Peaceville Three and Death/Doom Music World |
2018 |
Subcultures, Bodies and Spaces: Essays on Alternativity and Marginalization |
|
81-99 |
