Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Rekedal, Jacob |
Martyrdom and Mapuche Metal: Defying Cultural and Territorial Reductions in Twenty-First-Century Wallmapu |
2019 |
Ethnomusicology |
63 |
|
| Ribaldini, Paolo |
Terminology issues with the poïetic aspect of vocals in heavy metal studies: A suggestion for a multidisciplinary approach |
2019 |
Metal Music Studies |
5 |
315-335 |
| Romanowski, Marcin |
Lekcja historii zespołu Sabaton |
2019 |
Kultura rocka 2. Słowo – dźwięk – performance |
|
221-234 |
| Rubio, Salva |
Metal viejo: «lentamente nos pudrimos», o metal extremo y senectud |
2019 |
Heavy y metal, a través del cristal. Nuevas perspectivas culturales |
|
155-182 |
| Saguar García, Amaranta |
The Return of El Cid: The Topicality of Rodrigo Díaz in Spanish Heavy Metal |
2019 |
Medievalism and Metal Music Studies: Throwing down the gauntlet |
|
93-106 |
| Salari, Massimo |
Metal progressive italiano: La storia e i fondamentali stranieri |
2019 |
|
|
|
| Salueña, Eduardo G. |
Perfect symmetry: lo «técnico» y lo «progresivo» como paradigmas en la intelectualización del metal |
2019 |
Heavy y metal, a través del cristal. Nuevas perspectivas culturales |
|
111-132 |
| Sanchino Martínez, Esteban |
Drastik und Metal – SLAYERs Reign in Blood |
2019 |
DRASTIK Zur Logik und Ästhetik eines populärkulturellen Paradigmas |
|
187-266 |
| Savigny, Heather; Sleight, Sam |
”Bück Dich”: Rammstein in Amerika and the subversion of masculinized sexuality |
2019 |
Heavy metal at the movies |
|
|
| Schlotterbeck, Jesse |
A different kind of rock doc: performance, persona and stardom in ”Anvil! The Story of Anvil and Last Days Here” |
2019 |
Heavy metal at the movies |
|
|
