Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Hagen, Ross |
Obsequiae: Reconciling ’Authentic’ Medieval Musical Styles with Metal |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
145-156 |
| Hein, Fabien |
Hard rock, heavy metal, metal : Histoire, cultures et pratiquants |
2019 |
|
|
|
| Hellrich, Johannes; Rzymski, Christoph |
Computational Detection of Medieval References in Metal |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
57-70 |
| Hellrich, Johannes; Rzymski, Christoph; Vestergaard, Vitus |
The Trans-Medial Fight for Glory |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
13-20 |
| Herbst, Jan-Peter |
Old sounds with new technologies? Examining the creative potential of guitar ‘profiling’ technology and the future of metal music from producers’ perspectives |
2019 |
Metal Music Studies |
5 |
53-69 |
| Herbst, Jan-Peter |
The formation of the West German power metal scene and the question of a ‘Teutonic’ sound |
2019 |
Metal Music Studies |
5 |
201-223 |
| Hoad, Catherine |
Critical Introduction: What is ‘Australian’ about Australian Heavy Metal? |
2019 |
Australian Metal Music |
|
1-18 |
| Hoad, Catherine (ed) |
Australian Metal Music |
2019 |
|
|
|
| Hoffin, Kevin |
”Sans compassion nor will to answer whoever asketh the why”: Personal sovereignty within black metal |
2019 |
Metal Music Studies |
5 |
151-162 |
| Hosman, Sarah Siltanen |
Gender inequality in metal music production (book review) |
2019 |
Gender & Society |
33 |
652-654 |
