| Author |
Title |
Year |
Publication |
Volume |
Pages |
| Cheung, Oi Wun Joyce; Feng, Dezheng (William) |
Attitudinal meaning and social struggle in heavy metal song lyrics: a corpus-based analysis |
2019 |
Social Semiotics |
(accepted) |
|
| Hosman, Sarah Siltanen |
Gender inequality in metal music production (book review) |
2019 |
Gender & Society |
33 |
652-654 |
| Taylor, Matthew |
Eternal Defiance: Celtic Identity and the Classical Past in Heavy Metal |
2019 |
Classical Antiquity in Heavy Metal Music |
|
53-76 |
| St-Laurent, Méi-Ra |
“It's kind of in the middle”: The “Mid-Fi” Aesthetic: Toward a New Designation of Black Metal Aesthetic of Recording. The Case of the Québec Black Metal Scene |
2019 |
Proceedings of the 12th Art of Record Production Conference: Mono: Stereo: Multi |
|
267-272 |
| Baert, Sébastien |
Cthulhu metal: H. P. Lovecraft : l’influence du mythe |
2019 |
|
|
|
| Yang, Zixuan |
Build an Active Foundation for Heavy Metal Subculture Community Success in Contemporary Society |
2019 |
|
|
179 |
| Simms, Bekah |
Foreverdark: For Amplified Cello Soloist and Chamber Orchestra |
2019 |
|
|
64 |
| Hudson, Stephen S. |
Feeling Beats and Experiencing Motion: A Construction-based Theory of Meter |
2019 |
|
|
334 |
| Odell, Grace Kate |
A Night at the Opera: Performance, Theatricality, and Identity in the Music of Queen |
2019 |
|
|
174 |
| Ndoja, Davjola |
German National Socialist Black Metal: Contemporary Neo–Nazism and the Ongoing Struggle with Antisemitism |
2019 |
“Mister Gorbachev, tear down this wall!” Socio-economic and Political Consequences 30 Years After |
|
|
