| Author |
Title |
Year |
Publication |
Volume |
Pages |
| Hoad, Catherine |
Critical Introduction: What is ‘Australian’ about Australian Heavy Metal? |
2019 |
Australian Metal Music |
|
1-18 |
| Oldham, Paul ’Nazz’ |
Heavy Metal Kids: A Historiographical Exploration of Australian Proto-Heavy Metal in the 1960s–1970s |
2019 |
Australian Metal Music |
|
19-36 |
| Vallen, Sam |
’A Blaze in the Northern Suburbs’: Australian Extreme Metal’s Larrikinish Lineage |
2019 |
Australian Metal Music |
|
37-54 |
| Whitting, Samuel; Klimentou, Paige; Rogers, Ian |
‘We’re Just Normal Dudes’: Hegemonic Masculinity, Australian Identity, and Parkway Drive |
2019 |
Australian Metal Music |
|
55-70 |
| Overell, Rosemary |
‘I Think Sydney’s Pretty Shit’: Melbourne Grindcore Fans and their Others |
2019 |
Australian Metal Music |
|
71-90 |
| Glitsos, Laura |
Frontierswomen and the Perth Scene: Female Metal Musicians on the ‘Western Front’ and the Construction of the Gothic Sublime |
2019 |
Australian Metal Music |
|
91-110 |
| Yalcinkaya, Can; Ahmed, Safdar |
Creeping Sharia: An Extreme Response to Islamophobia |
2019 |
Australian Metal Music |
|
111-128 |
| Collinson, Ian |
‘This is the Funeral of the Earth’: The ‘Dead-end’ Environmental Discourses of Australian Ecometal |
2019 |
Australian Metal Music |
|
129-144 |
| Spracklen, Karl |
Afterword. Being Metal, Being Australian? Reflections and an Afterword |
2019 |
Australian Metal Music |
|
145-148 |
| Fletcher, Kris F.B.; Umurhan, Osman |
Introduction: Where Metal and Classics Meet |
2019 |
Classical Antiquity in Heavy Metal Music |
|
1-22 |
