| Author |
Title |
Year |
Publication |
Volume |
Pages |
| Fletcher, Kris F.B. |
Vergil’s Aeneid and Nationalism in Italian Metal |
2019 |
Classical Antiquity in Heavy Metal Music |
|
23-52 |
| Apergis, Christodoulos |
Screaming Ancient Greek Hymns: The Case of Kawir and the Greek Black Metal Scene |
2019 |
Classical Antiquity in Heavy Metal Music |
|
77-96 |
| Åshede, Linnea; Foka, Anna |
Cassandra’s Plight: Gender, Genre, and Historical Concepts of Femininity in Goth and Power Metal |
2019 |
Classical Antiquity in Heavy Metal Music |
|
97-114 |
| Crofton-Sleigh, Lissa |
Heavy Metal Dido: Heimdall’s “Ballad of the Queen” |
2019 |
Classical Antiquity in Heavy Metal Music |
|
115-130 |
| Magro-Martínez, Iker |
A Metal monstrum: Ex Deo’s Caligula |
2019 |
Classical Antiquity in Heavy Metal Music |
|
131-154 |
| Secord, Jared |
Occult and Pulp Visions of Greece and Rome in Heavy Metal |
2019 |
Classical Antiquity in Heavy Metal Music |
|
155-172 |
| Olabarria, Leire |
“When the Land was Milk and Honey and Magic was Strong and True”: Edward Said, Ancient Egypt, and Heavy Metal |
2019 |
Classical Antiquity in Heavy Metal Music |
|
173-200 |
| Umurhan, Osman |
Coda: Some Trends in Metal’s Use of Classical Antiquity |
2019 |
Classical Antiquity in Heavy Metal Music |
|
201-216 |
| Galicia Poblet, Fernando (ed) |
Heavy y metal, a través del cristal. Nuevas perspectivas culturales |
2019 |
|
|
|
| Algora, Alfonso F. |
Filosofía e historia del pensamiento en el heavy metal y músicas afines. Una aproximación |
2019 |
Heavy y metal, a través del cristal. Nuevas perspectivas culturales |
|
29-52 |
