| Author |
Title |
Year  |
Publication |
Volume |
Pages |
| Barratt-Peacock, Ruth; Hagen, Ross (eds) |
Medievalism and Metal Music Studies: Throwing down the gauntlet |
2019 |
|
|
|
| Saguar García, Amaranta |
The Return of El Cid: The Topicality of Rodrigo Díaz in Spanish Heavy Metal |
2019 |
Medievalism and Metal Music Studies: Throwing down the gauntlet |
|
93-106 |
| Fletcher, Kris |
Classical Antiquity, Heavy Metal Music, and European Identity |
2019 |
The Present of Antiquity. Reception, Recovery, Reinvention of the Ancient World in Current Popular Culture |
|
223-246 |
| González, Susana Martínez |
El Quijote a ritmo de rock and roll: El heavy metal español como recurso didáctico en las clases de literatura de E.S.O |
2019 |
Campo Abierto. Revista de Educación |
38 |
107-124 |
| Fletcher, Kris; Umurhan, Osman (eds) |
Classical Antiquity in Heavy Metal Music |
2019 |
|
|
|
| García-Peinazo, Diego |
Héroes frigios, nación y distorsión. La batalla por la supertónica descendida como signo musical en el metal español |
2019 |
Cuadernos de Música Iberoamericana |
32 |
137-157 |
| González Vaquerizo, Helena |
Heavy Rome-Roma de metal. La imagen de Roma en el heavy metal y el metal |
2019 |
En los márgenes de Roma: la antigüedad romana en la cultura de masas contemporánea |
|
39-62 |
| Pérez Pelayo, Marisol |
The role of Musicking and the body in the Metal community of Guadalajara México. How does bonding through Metal music enable new kinship and friendship structures |
2019 |
|
|
|
| Swist, Jeremy J. |
Satan’s Empire: Ancient Rome’s anti-Christian appeal in extreme metal |
2019 |
Metal Music Studies |
5 |
35-51 |
| Hellrich, Johannes; Rzymski, Christoph; Vestergaard, Vitus |
The Trans-Medial Fight for Glory |
2019 |
Medievalism and Metal Music Studies: Throwing Down the Gauntlet |
|
13-20 |
