| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Urtaza, Eugenio Manuel Otero |
Identidad, cosmopolitismo y educación en las bandas de metal extremo: el caso de Finlandia |
2020 |
Historia y Memoria de la Educación |
|
271-332 |
|
|
|
Trudzik, Artur Marius |
Czy “Rock’n’Roll” to paradoksalnie pismo hardrockowe/heavymetalowe? [Is “Rock'n'Roll” paradoxically a hard rock / heavy metal magazine?] |
2020 |
Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] |
|
95-117 |
|
|
|
Trafford, Simon |
Viking metal |
2020 |
The Oxford handbook of music and medievalism |
|
563-585 |
|
|
|
Torreiro, Gustavo |
Heavy Metal as a Subculture in Argentina: Identity and Resistance |
2020 |
Heavy Metal Music In Argentina: in black we are seen. |
|
2-15 |
|
|
|
Thomson, Andrew |
Brutal Theory: Luciferian Brutalism and cultural critique in extreme metal music |
2020 |
|
|
|
|
|
|
Szpajdel, Christophe |
Archaic Modernism: The Art of Christophe Szpajdel |
2020 |
|
|
252 |
|
|
|
Svetlova, Anna |
Moc wyobraźni artysty: film “Imaginaerum” zespołu Nightwish jako narracja transmedialna i “twórcza zdrada” [The power of the artist's imagination: film “Imaginaerum” by Nightwish as a transmedia narrative and “creative betrayal”] |
2020 |
Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] |
|
165-183 |
|
|
|
Stratton, Jon |
KISS: Jewishness, hard rock and the Holocaust |
2020 |
Metal Music Studies |
6 |
277-297 |
|
|
|
Stevens, Francesca |
Blackened audiotopia: Privatized listening and urban experience |
2020 |
Metal Music Studies |
6 |
161-174 |
|
|
|
Stec, Lukasz |
La mort de l’artiste – zamaskowana nieobecność artysty [La mort de l'artiste – the artist's masked absence] |
2020 |
Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] |
|
75-94 |
|
