| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Mc Alister, Caitlin |
Heavy Metal Historiography: Historical Subject Matter in the Music of Iron Maiden |
2020 |
|
|
|
|
|
|
Mauree, Sam |
Acteurs de la scène metal et institutions culturelles |
2020 |
French metal studied: Approches différenciées des acteurs et des publics |
|
57-84 |
|
|
|
Malczynski, Bartosz |
“Oczyść swą duszę ze śmierci”. Aksjologiczny wymiar twórczości grupy Creation of Death [“Cleanse your soul of death”. Axiological dimension of creativity in Creation of Death] |
2020 |
Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] |
|
62-74 |
|
|
|
Madro, Andrzej |
Metalowe epopeje. Inspiracje literackie w muzyce Symphony X [Metal epics. Literary inspirations in the music of Symphony X] |
2020 |
Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] |
|
29-46 |
|
|
|
López Ramírez Gastón, José Ignacio |
Sounds of Exclusion and Seclusion: Peruvian Metal as a Model for Cultural Self-Segregation |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
107-130 |
|
|
|
López Ramírez Gastón, José Ignacio |
El ritual de lo habitual: apuntes introductorios sobre un rock nacional peruano |
2020 |
Antec: Revista Peruana de Investigación Musical |
4 |
60-85 |
|
|
|
Langebach, Martin; Schulze, Christoph |
Affirmation and denial: Extreme right black metal and the Holocaust |
2020 |
Metal Music Studies |
6 |
375-393 |
|
|
|
Lake, Daniel |
USBM: A Revolution of Identity in American Black Metal |
2020 |
|
|
|
|
|
|
Lagos Chacón, Pedro Manuel |
The Role of Death Metal in the Colombian Armed Conflict: The Case of the Band Masacre |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
81-106 |
|
|
|
Kosek, Jakub |
Legends never die. Wendy O. Williams w uniwersum metalowej (kontr)kultury [Legends never die. Wendy O. Williams in the universe of metal (counter) culture] |
2020 |
Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] |
|
146-164 |
|
