Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Glitsos, Laura |
“Sticky Business”: An Examination of Female Musicians in the Context of Perth’s Metal Community |
2020 |
Popular Music and Society |
43 |
93-113 |
| Franklin, Dan |
Heavy: how metal changes the way we see the world |
2020 |
|
|
|
| Flansburg, Glenn |
Performing Gender – Hell Hath No Fury Like a Woman Horned |
2020 |
|
|
|
| Fernández Lozano, Miriela |
The Metal Scene in Havana, Cuba: An Assessment of Its Cultural Development from 2007 to 2017 |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
133-160 |
| Feria del Libro Heavy |
Cultura metálica 6: ponencias, debates y exposiciones de la 6a Feria del Libro Heavy de Buenos Aires |
2020 |
|
|
|
| Eckhorst, Tim (ed) |
Metall macht Musik: Comic-Werk |
2020 |
|
|
|
| DiGioia, Amanda |
Nameless, but not blameless: Motherhood in Finnish heavy metal music |
2020 |
Metal Music Studies |
6 |
237-255 |
| Czajkowska, Karolina Joanna |
“Ten gitarowy huk”. Początek i rozwój metalu na festiwalu w Jarocinie [“That guitar boom”. The beginning and development of metal at the festival in Jarocin] |
2020 |
Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] |
|
118-133 |
| Copilaș, Emanuel |
Slayer and psychoanalysis |
2020 |
Metal Music Studies |
6 |
109-121 |
| Connole, Edia |
On the Meaning of Style: Black Metal’s “Black” |
2020 |
Hebdige and Subculture in the Twenty-First Century |
|
135-168 |
