| |
Author  |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Olsem Kirk N.; Powell, Merrick; Anic, Aydin; Vallerand, Robert J.; Thompson, William Forde |
Fans of Violent Music: The Role of Passion in Positive and Negative Emotional Experience |
2020 |
Musicae Scientiae |
OnlineFirst |
|
|
|
|
Nowakowski, Adam E. |
“Horns Up!” The Horned Hand as the Emblematic Gesture of the Metal Subculture |
2020 |
Półrocznik Językoznawczy Tertium |
5 |
62–82 |
|
|
|
Nieves Molina, Alfredo |
“La Periferia”: Marginal Contexts for Metal Music in the State of México |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
239-264 |
|
|
|
Nevárez Araujo, Daniel |
Metal Migration: The Latin American Diasporic Experience in Heavy Metal |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
305-332 |
|
|
|
Mustamo, Aila |
The Crisis of the Welfare State and the Politics of the Past in Black Metal and Folk Metal Subcultures |
2020 |
Young |
28 |
69-84 |
|
|
|
Mudrian, Albert (ed) |
The Decibel Hall of Fame Anthology: Volume III |
2020 |
|
|
364 |
|
|
|
Miranda Bonilla, Sergio |
La teología como metáfora instrumental de la culturas del rock y el metal:paradigma postreligional y desmitologización |
2020 |
Estudios sobre las culturas contemporáneas |
26 |
69-92 |
|
|
|
Minore, Gito |
Heavenly Hosts and Other Demons: Reflections Concerning a Difficult and Transversal Relationship in the History of Our Heavy Music |
2020 |
Heavy Metal Music In Argentina: in black we are seen. |
|
28-45 |
|
|
|
Migeon-Lambert, Camile |
Translations, adaptations, quotations from Baudelaire’s poetry into metal music: an anti-alchemy? |
2020 |
Punctum. International Journal of Semiotics |
6 |
221-242 |
|
|
|
Messick, Kyle J.; Aranda, Blanca; Day, Chris |
The experiences of metal fans with mental and developmental disorders in the metal music community |
2020 |
Metal Music Studies |
6 |
193-214 |
|
