Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Kahn-Harris, Keith |
Engaging with absence: Why is the Holocaust a ”problem” for metal? |
2020 |
Metal Music Studies |
6 |
395-414 |
| Kahraman, Volkan |
A comparative analysis of metal subgenres in terms of lexical richness and keyness |
2020 |
|
|
|
| Karjalainen, Toni-Matti; Tienari, Janne |
Lemmy Kilmister and milk from Finland: On remembering, online spaces and corporate branding |
2020 |
Metal Music Studies |
6 |
49-69 |
| Kauppila, Olli Sakari |
“Hard and Heavy, Loud and Proud.” : The Discursive Construction and Conveyance of Identities in Metal Songs about Metal |
2020 |
|
|
|
| Kinnunen, Maarit; Honkanen, Antti; Karjalainen, Toni-Matti |
The characteristics of a Finnish metal fan: Comparative study on music festival attendees |
2020 |
Metal Music Studies |
6 |
215-236 |
| Klausner, Guilherme Alfradique |
Differences in the Sociopolitical Perspectives of Brazilian and European Völkisch Metal |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
265-284 |
| Kopanski, Reinhard |
”Auschwitz awaits”: Different readings on Sabaton’s ”The Final Solution” (2010) and the question of irony |
2020 |
Metal Music Studies |
6 |
337-357 |
| Kosek, Jakub |
Legends never die. Wendy O. Williams w uniwersum metalowej (kontr)kultury [Legends never die. Wendy O. Williams in the universe of metal (counter) culture] |
2020 |
Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] |
|
146-164 |
| Kosek, Jakub |
Artyści scen metalowych – wprowadzenie [Metal artists – an introduction] |
2020 |
Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] |
|
5-8 |
| Lagos Chacón, Pedro Manuel |
The Role of Death Metal in the Colombian Armed Conflict: The Case of the Band Masacre |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
81-106 |
