Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Pascual Auqué , Patricia |
Héroes y poetas. Influencias literarias en la discografía de Héroes del Silencio |
2020 |
Tropleías |
7 |
625-640 |
| Patterson, Dayal |
Black Metal: Into The Abyss |
2020 |
|
|
|
| Pichler, Peter |
Metal Music, Sonic Knowledge, and the Cultural Ear in Europe since 1970 A Historiographic Exploration |
2020 |
|
|
|
| Pieper, Henning |
The SS in heavy metal lyrics |
2020 |
Metal Music Studies |
6 |
359-374 |
| Piotrowska, Anna G. |
The phenomenon of Slavic metal. The case of Poland |
2020 |
Музика у постсоцијализму: три деценије касније [Music in Postsocialism: Three Decades in Retrospect] |
|
309-335 |
| Pisano, Juan Ignacio |
Passion and Ethics: A Space for Voice and Tradition in Iorio’s Lyrics |
2020 |
Heavy Metal Music In Argentina: in black we are seen. |
|
58-71 |
| Polakowski, Filip |
Narracyjność w muzyce metalowe [Metal music narrative] |
2020 |
Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] |
|
47-61 |
| Purves, Robin |
Subject of the drone |
2020 |
Metal Music Studies |
6 |
145-159 |
| Rivera-Segarra, Eliut; Ramos, Jeffrey W.; Varas-Díaz, Nelson |
“A Scream that Makes Us Visible”: Latin American Heavy Metal Music and Liberation Psychology |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
287-304 |
| Rodkiewicz, Maciej |
Hand of Doom. Pozabluesowe źródła metalowego paradygmatu [Hand of Doom. Non-blues sources of the metal paradigm] |
2020 |
Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] |
|
134-145 |
