Author  |
Title |
Year |
Publication |
Volume |
Pages |
| Setničar, Robert |
“From dawn till doom” – Od zore do pogube: razvoj in značilnosti doom metala kot glasbenega pojava : razvoj in značilnosti doom metala kot glasbenega pojava [“From dawn till doom”: the development and characteristics of doom metal as a musical phenomenon] |
2020 |
|
|
|
| Shadrack, Jasmine Hazel |
Black Metal, Trauma, Subjectivity and Sound: Screaming the Abyss |
2020 |
|
|
|
| Silva, Melina Aparecida dos Santos; Silva, Juremir Machado da; Gutfreind, Cristiane Freitas |
Um grito de revolta: Notas sobre o discurso midiático afro-pessimista e a narrativa do filme Death Metal Angola |
2020 |
Logos |
27 |
s. p. |
| Socha, Krzysztof |
“Wo sind die Clowns?” Tropem błazna w świecie kultury metalowej [“Wo sind die Clowns?” Following a jester in the world of metal culture] |
2020 |
Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] |
|
184-211 |
| Soltani, Ashkan; Zappia, Natale A. |
Rez Metal: Inside the Navajo Nation Heavy Metal Scene |
2020 |
|
|
|
| Souza, Leandro Candido de |
Cartografias da cultura underground: o surgimento da subcultura heavy metal no ABC paulista e os deslocamentos da identidade suburbana |
2020 |
História Revista |
25 |
232-256 |
| Spracklen, Karl |
Metal Music and the Re imagining of Masculinity, Place, Race and Nation |
2020 |
|
|
|
| Spracklen, Karl |
From ”The Wicker Man” (1973) to Atlantean Kodex: Extreme music, alternative identities and the invention of paganism |
2020 |
Metal Music Studies |
6 |
71-86 |
| Stec, Lukasz |
La mort de l’artiste – zamaskowana nieobecność artysty [La mort de l'artiste – the artist's masked absence] |
2020 |
Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] |
|
75-94 |
| Stevens, Francesca |
Blackened audiotopia: Privatized listening and urban experience |
2020 |
Metal Music Studies |
6 |
161-174 |
