|
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
Lake, Daniel |
USBM: A Revolution of Identity in American Black Metal |
2020 |
|
|
|
|
|
Langebach, Martin; Schulze, Christoph |
Affirmation and denial: Extreme right black metal and the Holocaust |
2020 |
Metal Music Studies |
6 |
375-393 |
|
|
López Ramírez Gastón, José Ignacio |
El ritual de lo habitual: apuntes introductorios sobre un rock nacional peruano |
2020 |
Antec: Revista Peruana de Investigación Musical |
4 |
60-85 |
|
|
López Ramírez Gastón, José Ignacio |
Sounds of Exclusion and Seclusion: Peruvian Metal as a Model for Cultural Self-Segregation |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
107-130 |
|
|
Madro, Andrzej |
Metalowe epopeje. Inspiracje literackie w muzyce Symphony X [Metal epics. Literary inspirations in the music of Symphony X] |
2020 |
Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] |
|
29-46 |
|
|
Malczynski, Bartosz |
“Oczyść swą duszę ze śmierci”. Aksjologiczny wymiar twórczości grupy Creation of Death [“Cleanse your soul of death”. Axiological dimension of creativity in Creation of Death] |
2020 |
Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] |
|
62-74 |
|
|
Mauree, Sam |
Acteurs de la scène metal et institutions culturelles |
2020 |
French metal studied: Approches différenciées des acteurs et des publics |
|
57-84 |
|
|
Mc Alister, Caitlin |
Heavy Metal Historiography: Historical Subject Matter in the Music of Iron Maiden |
2020 |
|
|
|
|
|
Messick, Kyle J.; Aranda, Blanca; Day, Chris |
The experiences of metal fans with mental and developmental disorders in the metal music community |
2020 |
Metal Music Studies |
6 |
193-214 |
|
|
Migeon-Lambert, Camile |
Translations, adaptations, quotations from Baudelaire’s poetry into metal music: an anti-alchemy? |
2020 |
Punctum. International Journal of Semiotics |
6 |
221-242 |
|