| Author |
Title |
Year |
Publication |
Volume |
Pages  |
| Pascual Auqué , Patricia |
Héroes y poetas. Influencias literarias en la discografía de Héroes del Silencio |
2020 |
Tropleías |
7 |
625-640 |
| Trafford, Simon |
Viking metal |
2020 |
The Oxford handbook of music and medievalism |
|
563-585 |
| Hagen, Ross |
A Gothic Romance: Neomedieval Echoes of Fin’amor in Gothic and Doom Metal |
2020 |
The Oxford Handbook of Music and Medievalism |
|
546-563 |
| Carlos, Caitlin Vaughn |
“Ramble on”: medievalism as a nostalgic practice in Led Zeppelin’s use of J. R. R. Tolkien |
2020 |
The Oxford handbook of music and medievalism |
|
529-546 |
| Wallach, Jeremy |
Global Rock as Postcolonial Soundtrack |
2020 |
The Bloomsbury Handbook of Rock Music Research |
|
469-485 |
| Kahn-Harris, Keith |
Engaging with absence: Why is the Holocaust a ”problem” for metal? |
2020 |
Metal Music Studies |
6 |
395-414 |
| Langebach, Martin; Schulze, Christoph |
Affirmation and denial: Extreme right black metal and the Holocaust |
2020 |
Metal Music Studies |
6 |
375-393 |
| Mudrian, Albert (ed) |
The Decibel Hall of Fame Anthology: Volume III |
2020 |
|
|
364 |
| Pieper, Henning |
The SS in heavy metal lyrics |
2020 |
Metal Music Studies |
6 |
359-374 |
| Kopanski, Reinhard |
”Auschwitz awaits”: Different readings on Sabaton’s ”The Final Solution” (2010) and the question of irony |
2020 |
Metal Music Studies |
6 |
337-357 |
