| Author |
Title |
Year |
Publication |
Volume |
Pages  |
| Mauree, Sam |
Acteurs de la scène metal et institutions culturelles |
2020 |
French metal studied: Approches différenciées des acteurs et des publics |
|
57-84 |
| González Vaquerizo, Helena |
Κλέα ἀνδρῶν: Classical Heroes in the Heavy Metal |
2020 |
IVITRA Research in Linguistics and Literature |
23 |
51-72 |
| Karjalainen, Toni-Matti; Tienari, Janne |
Lemmy Kilmister and milk from Finland: On remembering, online spaces and corporate branding |
2020 |
Metal Music Studies |
6 |
49-69 |
| Polakowski, Filip |
Narracyjność w muzyce metalowe [Metal music narrative] |
2020 |
Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] |
|
47-61 |
| Bernal, Manuel; Caballero, Manuel |
Walkabout, Just Walking about for the Sake of Walking: The Journey as an Ethos in the Poetics of Ricardo Iorio |
2020 |
Heavy Metal Music In Argentina: in black we are seen. |
|
46-57 |
| Pack, Christian M. |
“Decomposición Cerebral”: The Salvadoran Civil War and the Birth of Salvadoran Brutal Death Metal |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
39-60 |
| Madro, Andrzej |
Metalowe epopeje. Inspiracje literackie w muzyce Symphony X [Metal epics. Literary inspirations in the music of Symphony X] |
2020 |
Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] |
|
29-46 |
| Minore, Gito |
Heavenly Hosts and Other Demons: Reflections Concerning a Difficult and Transversal Relationship in the History of Our Heavy Music |
2020 |
Heavy Metal Music In Argentina: in black we are seen. |
|
28-45 |
| Hoffin, Kevin |
Glocalization, bricolage and black metal: Towards a music-centric youth culture simultaneously exemplifying the global and the glocal |
2020 |
Metal Music Studies |
6 |
27-48 |
| Viteri, Juan Pablo |
DIABLO-HUMA [AYA-UMA]: Fuerza ancentral música independiente. |
2020 |
R-ZINE |
1 |
26-37 |
