| |
Author |
Title |
Year |
Publication |
Volume |
Pages  |
Links |
|
|
Williams, Dominic |
Embodying the Auschwitz ”Sonderkommando” in extreme metal |
2020 |
Metal Music Studies |
6 |
319-336 |
|
|
|
Piotrowska, Anna G. |
The phenomenon of Slavic metal. The case of Poland |
2020 |
Музика у постсоцијализму: три деценије касније [Music in Postsocialism: Three Decades in Retrospect] |
|
309-335 |
|
|
|
Nevárez Araujo, Daniel |
Metal Migration: The Latin American Diasporic Experience in Heavy Metal |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
305-332 |
|
|
|
Jackson, Itay |
From ”The Fading” to ”Scream with Me Never Again!”: Shoah and Jewish identity in Israeli and US metal |
2020 |
Metal Music Studies |
6 |
299-318 |
|
|
|
Rivera-Segarra, Eliut; Ramos, Jeffrey W.; Varas-Díaz, Nelson |
“A Scream that Makes Us Visible”: Latin American Heavy Metal Music and Liberation Psychology |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
287-304 |
|
|
|
Stratton, Jon |
KISS: Jewishness, hard rock and the Holocaust |
2020 |
Metal Music Studies |
6 |
277-297 |
|
|
|
Urtaza, Eugenio Manuel Otero |
Identidad, cosmopolitismo y educación en las bandas de metal extremo: el caso de Finlandia |
2020 |
Historia y Memoria de la Educación |
|
271-332 |
|
|
|
Klausner, Guilherme Alfradique |
Differences in the Sociopolitical Perspectives of Brazilian and European Völkisch Metal |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
265-284 |
|
|
|
Szpajdel, Christophe |
Archaic Modernism: The Art of Christophe Szpajdel |
2020 |
|
|
252 |
|
|
|
Nieves Molina, Alfredo |
“La Periferia”: Marginal Contexts for Metal Music in the State of México |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
239-264 |
|
