| |
Author |
Title |
Year |
Publication |
Volume |
Pages  |
Links |
|
|
López Ramírez Gastón, José Ignacio |
Sounds of Exclusion and Seclusion: Peruvian Metal as a Model for Cultural Self-Segregation |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
107-130 |
|
|
|
Burns, Lori |
Intersections of Gender, Race, and Genre: Cammie Gilbert and Black Female Subjectivity in Metal Music |
2020 |
American Music Perspectives |
1 |
98-118 |
|
|
|
Trudzik, Artur Marius |
Czy “Rock’n’Roll” to paradoksalnie pismo hardrockowe/heavymetalowe? [Is “Rock'n'Roll” paradoxically a hard rock / heavy metal magazine?] |
2020 |
Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] |
|
95-117 |
|
|
|
Glitsos, Laura |
“Sticky Business”: An Examination of Female Musicians in the Context of Perth’s Metal Community |
2020 |
Popular Music and Society |
43 |
93-113 |
|
|
|
Ortiz Cora, Laila Eréndira |
La violencia del Metal Extremo: Musa de la cultura, detractor del Arte Rock |
2020 |
Estudios sobre las culturas contemporáneas |
26 |
93-109 |
|
|
|
Herbst, Jan-Peter |
From Bach to Helloween: ‘Teutonic’ stereotypes in the history of popular music and heavy metal |
2020 |
Metal Music Studies |
6 |
87-108 |
|
|
|
Chambal, Aladin |
Matérialisme et quête d’authenticité, ambivalence identitaire des passionnés de la scène metal underground ? |
2020 |
French metal studied: Approches différenciées des acteurs et des publics |
|
85-116 |
|
|
|
Scaricaciottoli, Emiliano |
Piedra Libre: Referential Tensions in Argentinean Heavy Metal. Lyrics Since the Political Crisis of 2001/2002 |
2020 |
Heavy Metal Music In Argentina: in black we are seen. |
|
84-99 |
|
|
|
Lagos Chacón, Pedro Manuel |
The Role of Death Metal in the Colombian Armed Conflict: The Case of the Band Masacre |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
81-106 |
|
|
|
Stec, Lukasz |
La mort de l’artiste – zamaskowana nieobecność artysty [La mort de l'artiste – the artist's masked absence] |
2020 |
Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] |
|
75-94 |
|
