| |
Author |
Title |
Year |
Publication |
Volume |
Pages  |
Links |
|
|
Hofmann, Alexander |
Viking, Pagan or Folk? Distinguishing Possibilities for Metal Sub-Genres |
2020 |
Bašćinski glasi : Južnohrvatski etnomuzikološki godišnjak |
15 |
73-91 |
|
|
|
Alasia, Ezequiel |
The Reason Behind My Writing: Another Day of Being |
2020 |
Heavy Metal Music In Argentina: in black we are seen. |
|
72-83 |
|
|
|
Spracklen, Karl |
From ”The Wicker Man” (1973) to Atlantean Kodex: Extreme music, alternative identities and the invention of paganism |
2020 |
Metal Music Studies |
6 |
71-86 |
|
|
|
Mustamo, Aila |
The Crisis of the Welfare State and the Politics of the Past in Black Metal and Folk Metal Subcultures |
2020 |
Young |
28 |
69-84 |
|
|
|
Miranda Bonilla, Sergio |
La teología como metáfora instrumental de la culturas del rock y el metal:paradigma postreligional y desmitologización |
2020 |
Estudios sobre las culturas contemporáneas |
26 |
69-92 |
|
|
|
Malczynski, Bartosz |
“Oczyść swą duszę ze śmierci”. Aksjologiczny wymiar twórczości grupy Creation of Death [“Cleanse your soul of death”. Axiological dimension of creativity in Creation of Death] |
2020 |
Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] |
|
62-74 |
|
|
|
Nowakowski, Adam E. |
“Horns Up!” The Horned Hand as the Emblematic Gesture of the Metal Subculture |
2020 |
Półrocznik Językoznawczy Tertium |
5 |
62–82 |
|
|
|
Sánchez Mondaca, Maximiliano |
Dictatorship and Metal in Chile: A Causal Relationship? |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
61-80 |
|
|
|
López Ramírez Gastón, José Ignacio |
El ritual de lo habitual: apuntes introductorios sobre un rock nacional peruano |
2020 |
Antec: Revista Peruana de Investigación Musical |
4 |
60-85 |
|
|
|
Pisano, Juan Ignacio |
Passion and Ethics: A Space for Voice and Tradition in Iorio’s Lyrics |
2020 |
Heavy Metal Music In Argentina: in black we are seen. |
|
58-71 |
|
