| |
Author |
Title |
Year |
Publication |
Volume |
Pages  |
Links |
|
|
Torreiro, Gustavo |
Heavy Metal as a Subculture in Argentina: Identity and Resistance |
2020 |
Heavy Metal Music In Argentina: in black we are seen. |
|
2-15 |
|
|
|
Hillier, Benjamin |
Considering genre in metal music |
2020 |
Metal Music Studies |
6 |
5-26 |
|
|
|
Kosek, Jakub |
Artyści scen metalowych – wprowadzenie [Metal artists – an introduction] |
2020 |
Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] |
|
5-8 |
|
|
|
Varas-Díaz, Nelson; Nevárez Araujo, Daniel; Rivera-Segarra, Eliut |
Conceptualizing the Distorted South: How to Understand Metal Music and Its Scholarship in Latin America |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
7-36 |
|
|
|
Bajko, Marcin |
Literatura piękna w tekstach utworów artystów polskiej sceny metalowej [Fiction in the texts of works by artists of the Polish metal scene] |
2020 |
Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] |
|
9-28 |
|
|
|
Rodríguez, Pablo |
Encuentro de Ritmos Tradicionales con Distorsiones del Mundo: Propuestas musicales ecuatorianas donde conviven el rock y la música tradicional. |
2020 |
R-ZINE |
1 |
14-25 |
|
|
|
Scarrone, Luciano |
Genre Violence: Argentinean Heavy Metal in the Music Market |
2020 |
Heavy Metal Music In Argentina: in black we are seen. |
|
16-27 |
|
|
|
Charansol, Pandora |
La scène metal en France. Situation et perspectives d’avenir |
2020 |
French metal studied: Approches différenciées des acteurs et des publics |
|
19-56 |
|
|
|
Viteri, Juan Pablo |
DIABLO-HUMA [AYA-UMA]: Fuerza ancentral música independiente. |
2020 |
R-ZINE |
1 |
26-37 |
|
|
|
Hoffin, Kevin |
Glocalization, bricolage and black metal: Towards a music-centric youth culture simultaneously exemplifying the global and the glocal |
2020 |
Metal Music Studies |
6 |
27-48 |
|
