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Author |
Title |
Year |
Publication |
Volume |
Pages  |
Links |
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Pichler, Peter |
Metal Music, Sonic Knowledge, and the Cultural Ear in Europe since 1970 A Historiographic Exploration |
2020 |
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Varas-Díaz, Nelson; Araújo, Daniel Nevárez; Rivera-Segarra, Eliut (eds) |
Heavy metal music in Latin America: perspectives from the distorted south |
2020 |
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Franklin, Dan |
Heavy: how metal changes the way we see the world |
2020 |
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Charbonnier, Corentin; Salvat, Ëmilie; Goebel, Julien (eds) |
French metal studied: Approches différenciées des acteurs et des publics |
2020 |
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Kahraman, Volkan |
A comparative analysis of metal subgenres in terms of lexical richness and keyness |
2020 |
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Shadrack, Jasmine Hazel |
Black Metal, Trauma, Subjectivity and Sound: Screaming the Abyss |
2020 |
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Bohn, Dorothee; Bernardi, Cecilia de |
Celebrating 30 years louder than hell: exploring commercial and social “Host Event Zone” developments of the heavy metal festival Wacken Open Air |
2020 |
Annals of Leisure Research |
(accepted) |
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Thomson, Andrew |
Brutal Theory: Luciferian Brutalism and cultural critique in extreme metal music |
2020 |
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Kauppila, Olli Sakari |
“Hard and Heavy, Loud and Proud.” : The Discursive Construction and Conveyance of Identities in Metal Songs about Metal |
2020 |
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Beya, Sara |
Six feet three of Cheekbones, vanity and attitude: A discourse analysis of the construction of gender in the performance of metal music |
2020 |
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