| |
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Hagen, Ross |
A Gothic Romance: Neomedieval Echoes of Fin’amor in Gothic and Doom Metal |
2020 |
The Oxford Handbook of Music and Medievalism |
|
546-563 |
|
|
|
Trafford, Simon |
Viking metal |
2020 |
The Oxford handbook of music and medievalism |
|
563-585 |
|
|
|
Carlos, Caitlin Vaughn |
“Ramble on”: medievalism as a nostalgic practice in Led Zeppelin’s use of J. R. R. Tolkien |
2020 |
The Oxford handbook of music and medievalism |
|
529-546 |
|
|
|
González Vaquerizo, Helena |
Κλέα ἀνδρῶν: Classical Heroes in the Heavy Metal |
2020 |
IVITRA Research in Linguistics and Literature |
23 |
51-72 |
|
|
|
Spracklen, Karl |
Metal Music and the Re imagining of Masculinity, Place, Race and Nation |
2020 |
|
|
|
|
|
|
Scaricaciottoli, Emiliano; Varas-Díaz, Nelson; Nevárez Araujo, Daniel (eds) |
Heavy Metal Music In Argentina: in black we are seen |
2020 |
|
|
|
|
|
|
Torreiro, Gustavo |
Heavy Metal as a Subculture in Argentina: Identity and Resistance |
2020 |
Heavy Metal Music In Argentina: in black we are seen. |
|
2-15 |
|
|
|
Scarrone, Luciano |
Genre Violence: Argentinean Heavy Metal in the Music Market |
2020 |
Heavy Metal Music In Argentina: in black we are seen. |
|
16-27 |
|
|
|
Minore, Gito |
Heavenly Hosts and Other Demons: Reflections Concerning a Difficult and Transversal Relationship in the History of Our Heavy Music |
2020 |
Heavy Metal Music In Argentina: in black we are seen. |
|
28-45 |
|
|
|
Bernal, Manuel; Caballero, Manuel |
Walkabout, Just Walking about for the Sake of Walking: The Journey as an Ethos in the Poetics of Ricardo Iorio |
2020 |
Heavy Metal Music In Argentina: in black we are seen. |
|
46-57 |
|
