| |
Author |
Title |
Year |
Publication  |
Volume |
Pages |
Links |
|
|
Urtaza, Eugenio Manuel Otero |
Identidad, cosmopolitismo y educación en las bandas de metal extremo: el caso de Finlandia |
2020 |
Historia y Memoria de la Educación |
|
271-332 |
|
|
|
González Vaquerizo, Helena |
Κλέα ἀνδρῶν: Classical Heroes in the Heavy Metal |
2020 |
IVITRA Research in Linguistics and Literature |
23 |
51-72 |
|
|
|
Silva, Melina Aparecida dos Santos; Silva, Juremir Machado da; Gutfreind, Cristiane Freitas |
Um grito de revolta: Notas sobre o discurso midiático afro-pessimista e a narrativa do filme Death Metal Angola |
2020 |
Logos |
27 |
s. p. |
|
|
|
Hillier, Benjamin |
Considering genre in metal music |
2020 |
Metal Music Studies |
6 |
5-26 |
|
|
|
Hoffin, Kevin |
Glocalization, bricolage and black metal: Towards a music-centric youth culture simultaneously exemplifying the global and the glocal |
2020 |
Metal Music Studies |
6 |
27-48 |
|
|
|
Karjalainen, Toni-Matti; Tienari, Janne |
Lemmy Kilmister and milk from Finland: On remembering, online spaces and corporate branding |
2020 |
Metal Music Studies |
6 |
49-69 |
|
|
|
Spracklen, Karl |
From ”The Wicker Man” (1973) to Atlantean Kodex: Extreme music, alternative identities and the invention of paganism |
2020 |
Metal Music Studies |
6 |
71-86 |
|
|
|
Herbst, Jan-Peter |
From Bach to Helloween: ‘Teutonic’ stereotypes in the history of popular music and heavy metal |
2020 |
Metal Music Studies |
6 |
87-108 |
|
|
|
Copilaș, Emanuel |
Slayer and psychoanalysis |
2020 |
Metal Music Studies |
6 |
109-121 |
|
|
|
Wallin, Jason; Venkatesh, Vivek |
‘No satisfaction, no fun, no future’: Futures thinking in black metal |
2020 |
Metal Music Studies |
6 |
175-191 |
|
