| |
Author |
Title |
Year |
Publication  |
Volume |
Pages |
Links |
|
|
Purves, Robin |
Subject of the drone |
2020 |
Metal Music Studies |
6 |
145-159 |
|
|
|
Stevens, Francesca |
Blackened audiotopia: Privatized listening and urban experience |
2020 |
Metal Music Studies |
6 |
161-174 |
|
|
|
Messick, Kyle J.; Aranda, Blanca; Day, Chris |
The experiences of metal fans with mental and developmental disorders in the metal music community |
2020 |
Metal Music Studies |
6 |
193-214 |
|
|
|
Kinnunen, Maarit; Honkanen, Antti; Karjalainen, Toni-Matti |
The characteristics of a Finnish metal fan: Comparative study on music festival attendees |
2020 |
Metal Music Studies |
6 |
215-236 |
|
|
|
DiGioia, Amanda |
Nameless, but not blameless: Motherhood in Finnish heavy metal music |
2020 |
Metal Music Studies |
6 |
237-255 |
|
|
|
Stratton, Jon |
KISS: Jewishness, hard rock and the Holocaust |
2020 |
Metal Music Studies |
6 |
277-297 |
|
|
|
Jackson, Itay |
From ”The Fading” to ”Scream with Me Never Again!”: Shoah and Jewish identity in Israeli and US metal |
2020 |
Metal Music Studies |
6 |
299-318 |
|
|
|
Williams, Dominic |
Embodying the Auschwitz ”Sonderkommando” in extreme metal |
2020 |
Metal Music Studies |
6 |
319-336 |
|
|
|
Kopanski, Reinhard |
”Auschwitz awaits”: Different readings on Sabaton’s ”The Final Solution” (2010) and the question of irony |
2020 |
Metal Music Studies |
6 |
337-357 |
|
|
|
Pieper, Henning |
The SS in heavy metal lyrics |
2020 |
Metal Music Studies |
6 |
359-374 |
|
