| |
Author |
Title  |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Lagos Chacón, Pedro Manuel |
The Role of Death Metal in the Colombian Armed Conflict: The Case of the Band Masacre |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
81-106 |
|
|
|
Pieper, Henning |
The SS in heavy metal lyrics |
2020 |
Metal Music Studies |
6 |
359-374 |
|
|
|
Castañeda Maldonado, Mario Efraín |
The Transfiguration of the Deity Maximón as a Practice of Resistance in Metal from San Pedro Sacatepéquez, San Marcos, Guatemala |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
219-238 |
|
|
|
Migeon-Lambert, Camile |
Translations, adaptations, quotations from Baudelaire’s poetry into metal music: an anti-alchemy? |
2020 |
Punctum. International Journal of Semiotics |
6 |
221-242 |
|
|
|
Silva, Melina Aparecida dos Santos; Silva, Juremir Machado da; Gutfreind, Cristiane Freitas |
Um grito de revolta: Notas sobre o discurso midiático afro-pessimista e a narrativa do filme Death Metal Angola |
2020 |
Logos |
27 |
s. p. |
|
|
|
Burns, Lori |
Unsettling Masculinity: Illness Narrative in Pain of Salvation’s “In the Passing Light of Day” (2017) |
2020 |
Popular Musicology and Identity: Essays in Honour of Stan Hawkins |
|
196–217 |
|
|
|
Schmidt, Andreas |
Unten und im Norden: Mythische Bildsprache, Kunst und (Sub-)Kultur in der nordischen Schaffensperiode Helrunars |
2020 |
NORDEUROPAforum – Zeitschrift für Kulturstudien |
Jhg. 2020 |
194-227 |
|
|
|
Lake, Daniel |
USBM: A Revolution of Identity in American Black Metal |
2020 |
|
|
|
|
|
|
Trafford, Simon |
Viking metal |
2020 |
The Oxford handbook of music and medievalism |
|
563-585 |
|
|
|
Hofmann, Alexander |
Viking, Pagan or Folk? Distinguishing Possibilities for Metal Sub-Genres |
2020 |
Bašćinski glasi : Južnohrvatski etnomuzikološki godišnjak |
15 |
73-91 |
|
