| |
Author |
Title  |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Anselmi, J.J. |
Doomed to fail: the incredibly loud history of doom, sludge, and post-metal |
2020 |
|
|
|
|
|
|
López Ramírez Gastón, José Ignacio |
El ritual de lo habitual: apuntes introductorios sobre un rock nacional peruano |
2020 |
Antec: Revista Peruana de Investigación Musical |
4 |
60-85 |
|
|
|
Williams, Dominic |
Embodying the Auschwitz ”Sonderkommando” in extreme metal |
2020 |
Metal Music Studies |
6 |
319-336 |
|
|
|
Rodríguez, Pablo |
Encuentro de Ritmos Tradicionales con Distorsiones del Mundo: Propuestas musicales ecuatorianas donde conviven el rock y la música tradicional. |
2020 |
R-ZINE |
1 |
14-25 |
|
|
|
Kahn-Harris, Keith |
Engaging with absence: Why is the Holocaust a ”problem” for metal? |
2020 |
Metal Music Studies |
6 |
395-414 |
|
|
|
Olsem Kirk N.; Powell, Merrick; Anic, Aydin; Vallerand, Robert J.; Thompson, William Forde |
Fans of Violent Music: The Role of Passion in Positive and Negative Emotional Experience |
2020 |
Musicae Scientiae |
OnlineFirst |
|
|
|
|
Charbonnier, Corentin; Salvat, Ëmilie; Goebel, Julien (eds) |
French metal studied: Approches différenciées des acteurs et des publics |
2020 |
|
|
|
|
|
|
Herbst, Jan-Peter |
From Bach to Helloween: ‘Teutonic’ stereotypes in the history of popular music and heavy metal |
2020 |
Metal Music Studies |
6 |
87-108 |
|
|
|
Jackson, Itay |
From ”The Fading” to ”Scream with Me Never Again!”: Shoah and Jewish identity in Israeli and US metal |
2020 |
Metal Music Studies |
6 |
299-318 |
|
|
|
Spracklen, Karl |
From ”The Wicker Man” (1973) to Atlantean Kodex: Extreme music, alternative identities and the invention of paganism |
2020 |
Metal Music Studies |
6 |
71-86 |
|
