| |
Author |
Title  |
Year |
Publication |
Volume |
Pages |
Links |
|
|
Connole, Edia |
On the Meaning of Style: Black Metal’s “Black” |
2020 |
Hebdige and Subculture in the Twenty-First Century |
|
135-168 |
|
|
|
Pisano, Juan Ignacio |
Passion and Ethics: A Space for Voice and Tradition in Iorio’s Lyrics |
2020 |
Heavy Metal Music In Argentina: in black we are seen. |
|
58-71 |
|
|
|
Flansburg, Glenn |
Performing Gender – Hell Hath No Fury Like a Woman Horned |
2020 |
|
|
|
|
|
|
Scaricaciottoli, Emiliano |
Piedra Libre: Referential Tensions in Argentinean Heavy Metal. Lyrics Since the Political Crisis of 2001/2002 |
2020 |
Heavy Metal Music In Argentina: in black we are seen. |
|
84-99 |
|
|
|
Höpflinger, Anna-Katharina |
Religiöse Codes in der Populärkultur: Kleidung der Black Metal-Szene |
2020 |
|
|
|
|
|
|
Agapit, Pierre; Mounier, Caroline |
Réussir ? se démarquer au sein d’un secteur concurrentiel : l’expérience festivalière au service des festivals. Le cas du Motocultor Festival Open Air |
2020 |
French metal studied: Approches différenciées des acteurs et des publics |
|
135-162 |
|
|
|
Soltani, Ashkan; Zappia, Natale A. |
Rez Metal: Inside the Navajo Nation Heavy Metal Scene |
2020 |
|
|
|
|
|
|
Chowenhill, Richard |
Seeing the Invisible: New Approaches to the Analysis of Extreme Metal and an Original Composition, “raw[within](to self soothe)” for Electric Guitar, Bass, and Percussion |
2020 |
|
|
|
|
|
|
Beya, Sara |
Six feet three of Cheekbones, vanity and attitude: A discourse analysis of the construction of gender in the performance of metal music |
2020 |
|
|
|
|
|
|
Copilaș, Emanuel |
Slayer and psychoanalysis |
2020 |
Metal Music Studies |
6 |
109-121 |
|
