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Author |
Title |
Year |
Publication |
Volume |
Pages |
Links  |
|
|
Olsem Kirk N.; Powell, Merrick; Anic, Aydin; Vallerand, Robert J.; Thompson, William Forde |
Fans of Violent Music: The Role of Passion in Positive and Negative Emotional Experience |
2020 |
Musicae Scientiae |
OnlineFirst |
|
|
|
|
Shadrack, Jasmine Hazel |
Black Metal, Trauma, Subjectivity and Sound: Screaming the Abyss |
2020 |
|
|
|
|
|
|
Bohn, Dorothee; Bernardi, Cecilia de |
Celebrating 30 years louder than hell: exploring commercial and social “Host Event Zone” developments of the heavy metal festival Wacken Open Air |
2020 |
Annals of Leisure Research |
(accepted) |
|
|
|
|
Hagen, Ross |
“From the Dark Past”: Historiographies of Violence in Norwegian Black Metal |
2020 |
Researching Subcultures, Myth and Memory |
|
151-170 |
|
|
|
Connole, Edia |
On the Meaning of Style: Black Metal’s “Black” |
2020 |
Hebdige and Subculture in the Twenty-First Century |
|
135-168 |
|
|
|
Nowakowski, Adam E. |
“Horns Up!” The Horned Hand as the Emblematic Gesture of the Metal Subculture |
2020 |
Półrocznik Językoznawczy Tertium |
5 |
62–82 |
|
|
|
Kosek, Jakub |
Legends never die. Wendy O. Williams w uniwersum metalowej (kontr)kultury [Legends never die. Wendy O. Williams in the universe of metal (counter) culture] |
2020 |
Artyści i sceny metalowej (kontr)kultury [Artists and the metal (counter) culture scene] |
|
146-164 |
|
|
|
Varas-Díaz, Nelson; Scaricaciottoli, Emiliano; Nevárez Araujo, Daniel |
Introduction: A Window into Heavy Metal Scholarship in the Global South |
2020 |
Heavy Metal Music In Argentina: in black we are seen |
|
|
|
|
|
Charansol, Pandora |
La scène metal en France. Situation et perspectives d’avenir |
2020 |
French metal studied: Approches différenciées des acteurs et des publics |
|
19-56 |
|
|
|
Mauree, Sam |
Acteurs de la scène metal et institutions culturelles |
2020 |
French metal studied: Approches différenciées des acteurs et des publics |
|
57-84 |
|
