| |
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links  |
|
|
Spracklen, Karl |
From ”The Wicker Man” (1973) to Atlantean Kodex: Extreme music, alternative identities and the invention of paganism |
2020 |
Metal Music Studies |
6 |
71-86 |
|
|
|
Karjalainen, Toni-Matti; Tienari, Janne |
Lemmy Kilmister and milk from Finland: On remembering, online spaces and corporate branding |
2020 |
Metal Music Studies |
6 |
49-69 |
|
|
|
Hoffin, Kevin |
Glocalization, bricolage and black metal: Towards a music-centric youth culture simultaneously exemplifying the global and the glocal |
2020 |
Metal Music Studies |
6 |
27-48 |
|
|
|
Hillier, Benjamin |
Considering genre in metal music |
2020 |
Metal Music Studies |
6 |
5-26 |
|
|
|
Silva, Melina Aparecida dos Santos; Silva, Juremir Machado da; Gutfreind, Cristiane Freitas |
Um grito de revolta: Notas sobre o discurso midiático afro-pessimista e a narrativa do filme Death Metal Angola |
2020 |
Logos |
27 |
s. p. |
|
|
|
Miranda Bonilla, Sergio |
La teología como metáfora instrumental de la culturas del rock y el metal:paradigma postreligional y desmitologización |
2020 |
Estudios sobre las culturas contemporáneas |
26 |
69-92 |
|
|
|
Ortiz Cora, Laila Eréndira |
La violencia del Metal Extremo: Musa de la cultura, detractor del Arte Rock |
2020 |
Estudios sobre las culturas contemporáneas |
26 |
93-109 |
|
|
|
Castillo Bernal, Stephen |
¡Invierte la cruz invertida! Primeras apreciaciones sobre el metal cristiano mexicano. |
2020 |
Etnomusicología y globalización: Dinámicas cosmopolitas de la música popular. |
|
113-134 |
|
|
|
Szpajdel, Christophe |
Archaic Modernism: The Art of Christophe Szpajdel |
2020 |
|
|
252 |
|
|
|
Mudrian, Albert (ed) |
The Decibel Hall of Fame Anthology: Volume III |
2020 |
|
|
364 |
|
