|
Author |
Title |
Year |
Publication |
Volume |
Pages |
Links |
|
Hofmann, Alexander |
Viking, Pagan or Folk? Distinguishing Possibilities for Metal Sub-Genres |
2020 |
Bašćinski glasi : Južnohrvatski etnomuzikološki godišnjak |
15 |
73-91 |
|
|
Pascual Auqué , Patricia |
Héroes y poetas. Influencias literarias en la discografía de Héroes del Silencio |
2020 |
Tropleías |
7 |
625-640 |
|
|
Hillier, Benjamin |
Considering genre in metal music |
2020 |
Metal Music Studies |
6 |
5-26 |
|
|
Hoffin, Kevin |
Glocalization, bricolage and black metal: Towards a music-centric youth culture simultaneously exemplifying the global and the glocal |
2020 |
Metal Music Studies |
6 |
27-48 |
|
|
Karjalainen, Toni-Matti; Tienari, Janne |
Lemmy Kilmister and milk from Finland: On remembering, online spaces and corporate branding |
2020 |
Metal Music Studies |
6 |
49-69 |
|
|
Spracklen, Karl |
From ”The Wicker Man” (1973) to Atlantean Kodex: Extreme music, alternative identities and the invention of paganism |
2020 |
Metal Music Studies |
6 |
71-86 |
|
|
Herbst, Jan-Peter |
From Bach to Helloween: ‘Teutonic’ stereotypes in the history of popular music and heavy metal |
2020 |
Metal Music Studies |
6 |
87-108 |
|
|
Copilaș, Emanuel |
Slayer and psychoanalysis |
2020 |
Metal Music Studies |
6 |
109-121 |
|
|
Wallin, Jason; Venkatesh, Vivek |
‘No satisfaction, no fun, no future’: Futures thinking in black metal |
2020 |
Metal Music Studies |
6 |
175-191 |
|
|
Purves, Robin |
Subject of the drone |
2020 |
Metal Music Studies |
6 |
145-159 |
|