| |
Author |
Title |
Year |
Publication |
Volume  |
Pages |
Links |
|
|
Fernández Lozano, Miriela |
The Metal Scene in Havana, Cuba: An Assessment of Its Cultural Development from 2007 to 2017 |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
133-160 |
|
|
|
Rodríguez Molinari, María Ximena |
In the Shadow of the Dictatorship: A Historical Approach to Uruguayan Heavy Metal |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
161-182 |
|
|
|
Calvo, Manuela Belén |
Metal and Politics in Argentina: A Study into the Audienceship Surrounding Ricardo Iorio |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
183-200 |
|
|
|
Scaricaciottoli, Emiliano |
America, Avenge Yourself: The Emergence of Combative Discourse and Other Recent Directions in Contemporary Argentinian Metal (An Exploration in Three Movements) |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
201-216 |
|
|
|
Castañeda Maldonado, Mario Efraín |
The Transfiguration of the Deity Maximón as a Practice of Resistance in Metal from San Pedro Sacatepéquez, San Marcos, Guatemala |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
219-238 |
|
|
|
Nieves Molina, Alfredo |
“La Periferia”: Marginal Contexts for Metal Music in the State of México |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
239-264 |
|
|
|
Rivera-Segarra, Eliut; Ramos, Jeffrey W.; Varas-Díaz, Nelson |
“A Scream that Makes Us Visible”: Latin American Heavy Metal Music and Liberation Psychology |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
287-304 |
|
|
|
Klausner, Guilherme Alfradique |
Differences in the Sociopolitical Perspectives of Brazilian and European Völkisch Metal |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
265-284 |
|
|
|
Nevárez Araujo, Daniel |
Metal Migration: The Latin American Diasporic Experience in Heavy Metal |
2020 |
Heavy Metal Music in Latin America: Perspectives from the Distorted South |
|
305-332 |
|
|
|
Beya, Sara |
Six feet three of Cheekbones, vanity and attitude: A discourse analysis of the construction of gender in the performance of metal music |
2020 |
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|
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