| Author |
Title |
Year  |
Publication |
Volume |
Pages |
| Hagen, Ross |
A Gothic Romance: Neomedieval Echoes of Fin’amor in Gothic and Doom Metal |
2020 |
The Oxford Handbook of Music and Medievalism |
|
546-563 |
| Trafford, Simon |
Viking metal |
2020 |
The Oxford handbook of music and medievalism |
|
563-585 |
| Carlos, Caitlin Vaughn |
“Ramble on”: medievalism as a nostalgic practice in Led Zeppelin’s use of J. R. R. Tolkien |
2020 |
The Oxford handbook of music and medievalism |
|
529-546 |
| González Vaquerizo, Helena |
Κλέα ἀνδρῶν: Classical Heroes in the Heavy Metal |
2020 |
IVITRA Research in Linguistics and Literature |
23 |
51-72 |
| Spracklen, Karl |
Metal Music and the Re imagining of Masculinity, Place, Race and Nation |
2020 |
|
|
|
| Hillier, Benjamin |
Considering genre in metal music |
2020 |
Metal Music Studies |
6 |
5-26 |
| Hoffin, Kevin |
Glocalization, bricolage and black metal: Towards a music-centric youth culture simultaneously exemplifying the global and the glocal |
2020 |
Metal Music Studies |
6 |
27-48 |
| Karjalainen, Toni-Matti; Tienari, Janne |
Lemmy Kilmister and milk from Finland: On remembering, online spaces and corporate branding |
2020 |
Metal Music Studies |
6 |
49-69 |
| Spracklen, Karl |
From ”The Wicker Man” (1973) to Atlantean Kodex: Extreme music, alternative identities and the invention of paganism |
2020 |
Metal Music Studies |
6 |
71-86 |
| Herbst, Jan-Peter |
From Bach to Helloween: ‘Teutonic’ stereotypes in the history of popular music and heavy metal |
2020 |
Metal Music Studies |
6 |
87-108 |
